20 Worst Hollywood Celebs Of The 1960S You Didn't Know Were Racist

When we think of Hollywood’s golden age, it’s easy to picture dazzling smiles, red carpets, and an endless parade of icons who seemed to stand for peace, equality, and hope. But what if the story behind the scenes was far darker than the silver screen ever revealed? What if the legends we worshipped were also the architects of invisible walls—barriers built on prejudice, exclusion, and cold calculation?

The truth is, the 1960s and 1970s weren’t just a time of cultural revolution. They were an era when the world started to question everything—including the stars themselves. And now, decades later, the curtain is finally being pulled back on the secrets Hollywood tried so hard to bury.

 

Take Audrey Hepburn, for example. She’s forever etched in our minds as the elegant “Breakfast at Tiffany’s” icon, the humanitarian who worked for UNICEF, the symbol of grace. But dig a little deeper, and you find a shadow that never quite faded—the infamous “Mr. Yunioshi” character, played by a white actor in yellowface, taped eyes, and a cartoon accent. It wasn’t Hepburn’s idea, but the film’s legacy is a painful reminder of how Asian people were mocked for laughs while white beauty was idolized. Even now, screenings come with warnings, and fans debate how much responsibility falls on the stars themselves.

And then there’s John Wayne—the all-American cowboy, the face of rugged independence. But in a 1971 interview, Wayne openly declared his belief in white supremacy, sparking outrage across the country. For some, his words shattered the myth of the wholesome hero; for others, it was just “the way things were.” Today, debates rage over whether his name should be removed from airports and public spaces. The cowboy legend now stands as a symbol of division, not unity.

Paul Newman, with those piercing blue eyes and a reputation for kindness, was another idol whose legacy is more complicated than most fans realize. Reports surfaced that his racing team never hired black drivers, and a leaked diary once revealed disparaging remarks about black colleagues. Was it personal bias or just playing to the conservative crowds who filled the theaters? Either way, the cracks in the gentleman’s image leave fans questioning how much of Hollywood’s compassion was just for show.

Steve McQueen, the “King of Cool,” was beloved for his rebellious spirit. But FBI files later revealed he was an informant, reporting on civil rights activists to the authorities. On set, he allegedly pushed to cut black supporting roles, arguing that audiences wouldn’t accept them fighting alongside white heroes. The rebel on screen became the enforcer of the status quo off it—a contradiction that still stings.

Blackface and Hollywood: From Al Jolson to Judy Garland to Dave Chappelle

And it wasn’t just the men. Shirley Temple, the angelic child star who brought hope to millions, grew up to become a diplomat who reportedly opposed aid to African nations, arguing they weren’t “civilized enough.” Stories circulated of her requesting black embassy staff not share restrooms with whites. The little girl who symbolized innocence became a grown woman whose actions left colleagues feeling excluded.

Some stars tried to wear the mantle of progress, but even their efforts were tangled in self-interest and contradiction. Marlon Brando famously refused his Oscar in protest of Hollywood’s treatment of Native Americans, sending Sacheen Littlefeather to make headlines. But behind the scenes, his relationships with black artists like Lena Horne and Eartha Kitt often led to career setbacks for them, while Brando himself was praised as a boundary-breaker. The line between genuine activism and self-promotion blurred until fans could barely tell the difference.

Frank Sinatra posed with Sammy Davis Jr. for the cameras, a symbol of integration and friendship. Yet backstage, venues he controlled kept black and Latin performers away from the headline acts. Was Sinatra a champion for change or just playing both sides to keep his place at the top? The answer, like so many in Hollywood, is complicated.

Rock Hudson, the ultimate screen lover, built invisible walls in his contracts—no romantic scenes with co-stars of color, no risk to his perfect image. Off-camera, he reportedly mocked accents and kept his distance from Asian colleagues. The irony? Hudson spent his life hiding his sexuality, forced by society to live behind a wall of secrecy. Yet instead of empathy, he reenacted the same exclusion toward others.

Judy Garland, forever Dorothy on the yellow brick road, was said to have requested black audience members be moved out of the front rows for a TV concert, fearing it would “look bad” on camera. The innocent image hid a cold, calculating reality: career always came first, even if it meant reinforcing barriers.

Joan Crawford, the icy queen, reportedly demanded black actors be removed from her scenes and even lobbied to block black nominees at the Oscars. Her power behind the scenes became a weapon, locking out anyone who didn’t fit the pristine image she wanted the world to see.

For every star who built their legacy on compassion, there were whispers—sometimes shouts—of exclusion, prejudice, and double standards. Natalie Wood reportedly accused black crew members of theft, ending careers with a single phone call. Bob Hope made America laugh with jokes built on racial stereotypes, while Jerry Lewis’s telethons were said to feature only white children to maximize donations.

Even the epic heroes weren’t immune. Charlton Heston, forever Ben-Hur and Moses, was praised for joining civil rights marches but quietly objected to black and Asian actors taking major roles in his films. Lee Marvin, the tough guy, was seen performing in blackface at Hollywood parties, donating to far-right groups, and dismissing Native American colleagues as “background.”

So what’s left when the lights go out and the applause fades? For many fans, it’s a sense of betrayal—a realization that the legends they adored were also gatekeepers of a system built on exclusion. The stories are painful, but they’re real. They remind us that progress isn’t just about changing the script—it’s about changing the hearts behind it.

And as viewers, maybe the hardest truth is this: the stars who once seemed perfect were just people, trapped by their own fears, ambitions, and the relentless pressure to protect their image. The golden age of Hollywood was dazzling, but its shadow was deep.

**Are you surprised that the names you grew up loving carried such hidden sides? Drop your thoughts in the comments. And if you want more untold stories, don’t forget to like, share, and hit that notification bell. Because in Hollywood, the real drama is often the one you never see on screen.**